With an Introduction by Antonia Till. William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art. Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem 'The Prelude' was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature. Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty . . . -- Composed Upon Westminster Bridge, September 3, 1802

When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to that which had been voiced before. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

William Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape. It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

First published in 1921, as the second edition of a 1917 original, this book contains a selection of poems by Wordsworth ordered chronologically. The selection was made with the aim of showing 'as clearly as possible the spirit which animates Wordsworth's poetry, his perception of an inward presence in all Nature, communicating itself to man's apprehension and acting as a fortifying and restraining influence, at once a source of content and an impulse to right action'. An editorial introduction is also included, together with detailed notes. This book will be of value to anyone with an interest in Wordsworth's poetry and English Romanticism.

Originally published in 1932, this book contains a number of extracts from the poems of Wordsworth, including large sections from The Prelude and a number of his shorter poems. Each poem is prefaced with notes by George Mallaby, and an index of first lines is included at the back. This book will be of value to anyone with an interest in Wordsworth.

First published in 1853, this is a comprehensive guide to the British Lake District. It features contributions from William Wordsworth and the geologist Adam Sedgwick, as well as a number of shorter sections by local experts on subjects such as botany and toponymy. The first part comprises detailed descriptions of the major towns and villages of the area, providing recommended routes and excursions for tourists. This is followed by Wordsworth's description of the scenery of the Lake District, offering fascinating observations on the natural formation of the landscape and the influence of human settlement. The latter part consists of a series of five letters on the geological structure of the area, written by Sedgwick between 1842 and 1853. Illustrated with detailed maps of the area, this is a key text for those interested in the history of tourism in the Lake District and its development in the Victorian period.

The editor has included a full critical introduction as well as notes at the bottom of each page to help those who are reading the poems for the first time.

'Listen, Stranger!' Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

William Wordsworth (1770-1850) was born in Cockermouth, Cumberland. In 1798 he published the Lyrical Ballads with Coleridge, settling shortly after in Dove Cottage, Grasmere, with his sister Dorothy. He died at Rydal Mount in 1850, shortly before the posthumous publication of that landmark of English Romanticism, The Prelude.

Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work's transformations in response to the pressures of the literary marketplace.

This Norton Critical Edition presents a generous selection of William Wordworth's poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth's Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth's Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author's evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. "Criticism" collects thirty responses to Wordsworth's poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O'Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

One of the most enduringly popular of the Romantic poets, William Wordsworth epitomized the spirit of his age with his celebration of the natural world and his belief in the importance of feeling. This volume brings together a rich selection from the most creative period of Wordsworth's life? from ?Tintern Abbey, ? an ode on the restorative powers of nature written during his intense friendship with Coleridge, to excerpts from his epic autobiographical poem, "The Prelude." Also included are much-loved short works such as ?I wandered as lonely as a Cloud, ? ?Composed Upon Westminster Bridge, ? and the poignant ?Lucy Gray.? These poems demonstrate Wordsworth's astonishing range, power, and inventiveness, and the sustained and captivating vision that informed his work.

It is hard to imagine how radically the tender songs and simple stories in this collection changed the history of English poetry, but Wordsworth exerted a profound influence on the whole of nineteeth-century culture in Britain and America. His literary revolution was founded on three principles: introspection, nature worship and the cult of ordinary experience. These three he blended together in a verse which is simple in manner but profound and deeply moving in content. In an age of revolutionary upheaval, industrial stress and religious doubt, Wordsworth rediscovered spiritual value in the individual's encounter with nature. In our own age of ecological disaster and moral uncertainty, his achievement speaks to us more urgently than ever. From the poet's extensive output, this comprehensive selection includes everything non-specialist readers are likely to need.

Wordsworth (1770-1850) is one of the most important and enduringly popular of all the English poets. Wordsworth's verse declares a belief in the power of poetry to teach by appealing to the imagination and to the `grand elementary principle of pleasure, by which man knows, and feels, and lives, and moves'. His unique relationship with the poet and political activist Samuel Taylor Coleridge, founded in the political and social ferment of 1795, produced a revolution in literature, resulting in the joint volume, Lyrical Ballads (1798-1805) - a landmark in the history of English Romanticism. In this edition the poems are given in the texts in which they first appeared, and were appreciated by Keats, Shelley, Hazlitt and other contemporaries. This selection, chosen from the Oxford Authors critical edition, includes all Wordsworth's finest lyrics, and a large sample of The Prelude (1805), his extraordinary autobiographical poem in blank verse and the first truly great acheivement of a new era in English ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

... must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. The Guardian They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure -- William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere. Movement, deeply influenced by a love of nature. the founders of the Romantic Movement.

William Wordsworth is chiefly remembered as one of the 'Lake Poets'. Yet he was also one of the founders of English Romanticism, a writer whose early revolutionary fervor imbued his verse and his ideals. Much of Wordsworth's work was inspired by nature, but to a style rich in lyrical imagery he brought a deep interest in liberal humanitarianism and a profound concern for the lives, habits and speech of ordinary people, especially country people. This pocket-sized collection includes: 'I wandered lonely as a cloud' ('Daffodils'), 'Ode. Intimations of Immortality', 'Character of the Happy Warrior', 'The Solitary Reaper', 'To a Sky-Lark', 'Tintern Abbey', and extracts from 'The Prelude'. Also available in the 'Pocket Poets' series: 9781782437116 Keats: 'Ode to a Nightingale' and Other Poems 9781782437109 Kipling: 'If-' and Other Poems 9781782437093 Burns: 'A Red, Red Rose' and Other Poems

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.